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Bee Movie: Jew Movie Review
by Lorne Michaels
Fucking Jews! AT IT AGAIN!
The Jews are coming! The Jews are coming!
Just when I thought it was safe to venture into American cinema again, I'm besieged with the Jewiest thing since Antz. Yes, I'm talking about Bee Movie, or as I like to call it, Zionist Occupied Insect Collective Movie. The writing was on the wall when I found out who starred, produced and wrote Bee Movie: Jerry Seinfeld. Jerry Seinfeld. The same Seinfeld behind the worst televised atrocity in modern history, also known as the sitcom Seinfeld. The only good thing about the show was the proportional lack of niggers, and even then those hymie writers included the apes in their plots from time to time. Seinfeld's been a threat for White Rights for as long as I can remember. The same Seinfeld who ruined comedy. The same Seinfeld whose Jewess wife is a plagiarizing whore bigger than Monkey Luther King. So him doing a new movie, a Bee Movie, is the Jews' first volley in the New Race War (the first being "The War of Jewish Aggression", known to you Zionist zombies as "The Holocaust").
Seinfeld stars as Barry the bee, a mere worker in the cog of the hive, which is obviously meant to represent the collectivist Jewry that was and is the Soviet Union (the USSR still exists under the name the European Union). Like all of those existentialist philosopher kikes, Barry is unsure of what he wants to do with his life. He could be a member of the baby butchering IDF, he could be an economic terrorist (a banker), or he could go for the brass ring of joining the Elders of Zion in drafting their latest piece of legislation (the Elders of Zion is now the United States Congress). He doesn't like any of the choices the Jewish fascist state gives him, so he departs for the outside world, dead set on Jewing up the white city of New York City (I'm assuming this reality in this movie DOESN'T occur after the Great Woody Allen Plague of 1984). There he meets a fine white woman and immediately sets upon indoctrinating her into his Jewish ways (completely ignoring the sovereignty of white co-habitation). He also realizes whites take all the honey away from the bees and sell it without compensation. It's called the White Market Economics, you socialist kike! Learn it if you're not too busy shining your nose.
Anyway, the hymieslaught continues as Barry Seinburkhard uses the Jew version of the nuclear option: litigation. Yes, you read that right/white. The film shows a bee suing white society for 'taking' honey (Odin declared all honey property of our race! It's indisputable!). Goddamnit! Why do we allow this filth into our multiplexes? It's only going to encourage them! Oh yeah, it's because THE MULTIPLEXES WERE BUILT BY THE MOSSAD! (All of the details of this transgression and violation of our rights is in the latest issue of The Ron Paul Helter Skelter Report.) Barry, using his reptilian Jewish skills of coercion and mind control, wins the lawsuit and all honey is confiscated from the volk and is given to the hives of Jewish activity (temples, hives, dental offices). All appears well for the Zionist ruling class. Barry, however, soon realizes this puts bees out of jobs and destroys the economy. Haha! Now! Now do you see what happens when you embrace the Stalinist ideal? You end up a jobless wretch! Unfortunately, the film did not resolve itself with the Stormtroopers invading, killing the bees and returning the honey to its whiteful ownership. Instead, Seinfeld and his white coterie of multiculturalist accepting filth people seek to solve the problem on their own. As it is, the Jew culture reverts to its Soviet roots of collectivist slav-ery. I am satisfied with this ending so long as there is a sequel detailing the Lornesatzgruppen killing ALL OF THEM.
CHOMSKY! I KNEW HE HAD A HAND IN THIS!
This minute satisfaction, however, does not allow Seinfeld to escape the criticism he so rightly deserves. He is a money grabbing leech on society, intent to suck us dry so he can procure more Christian blood and commit more of his insane Hebrew 'rituals'. Jewish comedy is a blight on mankind, people. How many seasons of Saturday Night Live do I have to produce to show you this plain fact of life? Too many, apparently, for the Jewish media has brainwashed you into thinking Seinfeld is a comedy visionary (in addition to his collaborator Larry David). He isn't. His comedy here is reliant on Jewy puns and Jewy 'observations' on common life. Seinfeld may love observational humor, but how come he never observes Ariel Sharon eating children or consigning good German volk to concentration camps? How come he never notices the nigger thugs running amok everywhere? How come he never notices how the white race is heavily discriminated against just on the basis of skin color? I could go on and on. The reason he never observes any of these things is because, again, he's a kike. All the more reason to kill him once the White Racialist Insurrection begins.
Bee Movie also shows the Zionists have no ideas of their own. As usual. If they did, they would not be employing so many white inventions for their nefarious ends. CGI animation was created by the whites, but as usual we see the ZOA (Zionist Occupied Animators) latching on to an innovation and bogging it down with Jewish flourishes and homosexual-supporting rhetoric. Animation itself was pioneered by White Nationalist Walt Disney before those Siegel and Shuster shylocks stole it for their Hymie Superman. Comedy? Whites. Europe, the white part of it, is responsible for nearly all innovations in everything in modern history. Okay, 'all' innovations. The Jews are just trying to justify their violent, cockroach-like people's continued existence, by claiming they can do things 'well' or 'better'. There is no history of Judaism producing good comedy; all of the comedy forefathers practiced the Christian faith and didn't eat children. Groucho wasn't even Jewish! The Mossad went back in time to brainwash everyone to believe that he was, but he was a pure Aryan. Trust me.
"What's the deal with Palestinians? You murder them and then they're just lying there! What's up with that?"
The utter contempt Seinfiend and his niggers in arms have for the white race is palpable all throughout Bee Movie, not to mention his Soviet leanings. For example, monkey 'comedian' Chris Rock is given a role as a mosquito (ironic as I would think a mosquito would be more accurately be played by a Jew) plastered on a windshield. Although I do desire to see him plastered on something which leaves him to a slow, painful death, I do not want him in movies, especially movies meant for children. This teaches the children of the volk that monkeys are funny and worth listening to! First schools remove phrenology from curriculum and now this. White characters, such as Patrick Warburton's Ken, are shown to be violent, idiotic buffoons worthy of laughter and mocking. Even Jew Larry King is given more respect! Bah. (The sole positive casting for proponents of White Nationalism is a cameo by Michael Richards, who last year correctly labeled hecklers as niggers and has been on the Lorne payroll ever since.) The end lesson of Bee Movie is individuality is nothing to be admired and the collective supersedes the desires of any. Typical Soviet Jewry! I wouldn't be surprised if Seinfeld's real last name was Zinoviev or Trotsky. Clearly, Mother Russia, those Slavic should-be-slaves, had a hand in this. Nothing else explains the blatant amount of Marxism and Leninism. They are just angry because we defeated them in the Great Whitetriotic War of 1941! This serious lesson at the end of Bee Movie is nothing less than a call for simultaneous Marxist revolution.
"Look at all the life I can suck out of this white household!"
I suggest we do take Seinberg's comedy 'seriously' and respond with our own concentrated burning occupation of comedy. That is why I am breaking the Freikorps' emergency glass and calling for a third alarm SNL movie meant to de-jew American culture. Hammondkopf, awaken The Ferrell! Tell him there is more intellectualist drivel to quash! Yes, I plan on funding another White Warrior filmenkraft by Will Ferrell, the leading White Rights comedian in recent history. I will pair him up with Dane Cook, whose record on hating Jews and minorities is second to none. Now...which property owned by my studio do I employ. A NIGHT AT THE ROXBURY 2: ZIONISM PARTIES MUST END. Fuck Chris Kattan. He was of poor stock and was probably a disgusting, amoral homosexual. Dane Cook will take over his role. The plot is Ferrell and Cook must shut down a new club owned by George Soros and Ariel Sharon, and they must do it by any means necessary. The climactic conclusion of the club burning and the two taking in the smell of the ashes should discourage Seinstein and his ilk from ever trying to encroach on traditionalist white industry ever again.
Then it is just a quick hop, skip und jump/pogrom to getting newly elected president Ron Paul to agree to subsidize my pro-business 'Jewry Relocation Program'. I will relocate them all right...INTO SOAP! HAHAHAHAHAHAHAHA! WATCH OUT, SEINFELD! YOU CAN'T HIDE BEHIND YOUR VESTED BANK INTERESTS FOREVER!
How many drinks do I need for this to be good?: Enough to kill all Zionists
Mastur-factor: This 'mastur-factor' a Jewish invention.
The Stinger: Jewy Seinfeld still isn't satisfied, and will probably make another 'movie' to plague all white people.
Lesson Learned: Seinfeld is the deadliest comedian since Ariel Sharon.